Press breaks Middle
| 1 Four attackers rotate around one attacker who stays in the middle of the press offence.
Dave Odom - once in the middle, always in the middle, on the line of the ball and the basket. Don Meyer - 4 corners - best decision-maker (point guard) is in the middle of the floor. Also see Old Dominion Trap "O" (Blaine Taylor). a) 5 in the middle 5 is at halfcourt, 2 and 3 are on the sidelines.4 inbounds to 1 and trails the ball to provide a third short passing option, 3 goes deep for a long passing option opposite the ball, 2 stays or optionally goes up the sideline, creating space for 1 to attack on the dribble or pass over the top. Dave Odom - 2 has to break the line of the defence at halfcourt. Don Kelbick - 1 should have the following options, - break on the dribble (up the sideline, going away from pressure from the bottom, and seeing pressure from the top) - long over the top (to 2, eliminate pressure coming from upcourt) - middle (to 5, who looks opposite to 3 to create numbers) - long opposite (to 3) - ball reversal, an enemy of fullcourt pressure. Lynch - in the regular alignment, 3 stays in the backcourt so we have a player to swing the ball to. In the stretch alignment, 3 starts and stays in the frontcourt, 4 comes in weakside on the inbounds pass (see 2-1-2). In both alignments, 2 is up the sideline and 5 is at halfcourt. |
| 2 A pass to 5 in the middle is an attacking pass, his first look is opposite to 3.
Bill Self - on a pass to the middle, the trailer runs wide opposite, the passer becomes the new trailer (shown).
Heath Millar - get your best player in the middle of the press. One metre either side of half is a "no flash" zone, don't catch the ball on or near the halfcourt line. In the backcourt don't pass the ball across the split line.
breakthroughbasketball.com - once you get the ball in the middle, the press will be beaten 99% of the time. |
| 3 If the ball is reversed to 4, 3 comes back to the ball, 2 goes deep middle. |
| 4 2 becomes the sideline option on a pass to 3, 1 is the long option. Lynch - 2 stays on the other side of the floor (optionally unless 3 is double-teamed). |
| 5 If 4 dribbles towards the sideline, 3 moves up the sideline to keep spacing, 2 moves opposite the ball, 1 comes behind the ball as safety, creating a 2-1-2 set (Ian MacKinnon - except if 4 is big enough to throw over defenders).
Dave Odom - 4 takes it on the dribble if he is a good dribbler.
Blaine Taylor - 3 swivels up the sideline, 1 swivels behind 4, 2 goes to the other side.
John Brady (LSU Set) - 4 takes two dribbles upcourt towards the sideline, 1 slides behind the ball (always have someone behind the ball). Brian Barone - 4 can pass back to 1 who swivels up the right sideline, 4 fills behind. See Press breaks - 2-1-2. |
| b) Denials
1 cuts across the foul line if denied, 2 breaks to the ball. Lynch - regular alignment against man presses. If denied, 1 face cuts to the opposite side of the floor, or posts up his defender. 3 and 5 are prepared to help. |
| 7 On an inbounds pass to 2, 3 replaces 2 and 1 replaces 3, run the system from there. For a 2-1-2 set, 4 would replace 1. Variations Arizona - 5 goes long, 1 cuts middle. Ashbury fullcourt - 5 replaces 2, 3 cuts middle. Brian Giorgis - 1 slashes middle, this is the action he likes, a point guard with the ball in the middle of the floor. |
| 8 2 goes long if denied, 5 breaks to the ball. Variations - 5 breaks to the ball after 1 cuts across the foul line, 2 breaks if 5 is denied - 5 breaks to the ball before 1's cut. |
| 9 c) 4 in the middle
Against a press that does not trap on the inbounds pass (e.g., a 2-2-1), 4 can inbounds then sprint to the centre circle and bump 5 deep.
See Ashbury halfcourt, Duke vs 2-2-1, Old Dominion trap "O", Arizona, 5star, Hofstra.
Blaine Taylor - against a 2-2-1, centre the ball, take away help, but attack the sides first. The attacking set is like using a 1-3-1 against a 2-3 halfcourt zone.
Dave Odom - against a 2-2-1, you must take the ball to the level of the defence.
Jay Wright - in a press breaker, 4 and 5 can never be too far away from the ball, get them up the court, it's better to be too spaced then to be too crowded. |
| 10 Then the pattern is the same, a 1-3-1 set. |
| 11 Swivel action. |
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